An introduction can be a wonderful thing. You can meet interesting people, and make new friends. You can be introduced to your new favorite foods, books, music, or artist.
I’d like to introduce you to some of my favorite artists. Some of whom I’ve been familiar with for years, and others I’ve only recently been introduced to.
|“When I was around 8 years old I had a dream I was in a garden. I climbed this wall and realized that if I jumped over I would no longer have the protection and order of the garden and would be in the wilds. I jumped. It seems a life’s choice.Making Art is a way to share the totality of what I’ve seen, touched and what has touched me. I believe the making of a painting needs that moment of epiphany and a trace of how the imagery conveyed thru paint was discovered and experienced by the artist. Not a graphic notation of the language of experience but the mystery of it.For me art is a personal odyssey. A vehicle to carry me forward and find some deeper unity in what is happening in and around me. Art is a slow burn, working its gift on individuals. It is based on a life lived worked into a liquid space. I want my paintings to be a haunted living presence that reveals to the viewer passion, intellect, mystery and that changes with each day’s new light. My work is experiential, non-formulaic. Painting is a belief system that asks as Borges stated, “ a momentary act of faith that reality is inferred from events not reasonings. That theories are nothing but stimuli: that the finished work frequently ignores and even contradicts them.”One of arts chief functions is to resist the denaturing forces that are always present; those things that would take away our transcendent possibilities and turn us into stereotyped beings. For me Art is not the production of meaning but the providing of a genuine experience of what it is to be alive and in the world. Octavio Paz said that art turns the viewer into an artist. Great art is a freedom giver, offering one a sense of the breadth of one’s own possibilities, what may yet be accomplished.I continue to explore the range of subject matter my painting can encompass and have access to my own history with a renewed understanding of it’s original content and a deepening understanding of how these images can continue to speak for me in paint. As a mature artist I find I have this large vocabulary to draw from. Imagery found a decade ago is now available and malleable once again. I want to speak to everyday experiences, tell stories and paint about current events, this is so exciting. In Art History I continue to see my concerns expressed in new artists and old ‘friends’ continue to offer new gifts. Painting is the wish and the prayer and the offering all in one. It is an act of faith just to pick up the brush.” FB|
Born 1949 in New York City, NY
1970 Boston University, Tanglewood
1971 Skowhegan School of Painting and Sculpture, ME
1974 B.A., Queens College, Flushing, NY
1980 Creative Artists Public Service (C.A.P.S.) Grant, NY
& National Endowment for the Arts, Emerging Artist Grant
1983 National Endowment for the Arts
2000 Pollock-Krasner Foundation Grant
2006 COAHSI Exhibiting Artist Award, Staten Island, NY
Other material relating to Farrell Brickhouse.
Artist website: Farrell Brickhouse.
Studio Critical: Farrell Brickhouse.
FIGURE/GROUND COMMUNICATION: Farrell Brickhouse.
ArtSlant: Farrell Brickhouse.