Long Series #1556 with Phillip J Mellen.

#1556 PJM

Long Series #1492 with Phillip J.Mellen.

#1492 PJM

This is another piece from a collaboration I’m working on with Phillip J. Mellen. Phillip provided the text and shape of the composition. What I enjoy about collaboration is the chance to explore new problems and challenges. It also allows me to get outside of my comfort zone and break with my personal mark making. More to come.

Artists Questioned? What are you listening to as you work?

Phillip J. Mellen, “as yellow as certain days” 12″ x 12″ acrylic and house paint on canvas 2014.

All artists have questions they seek answers to. Sometimes they ask themselves the same questions over and over again, and sometimes they seek out friends and mentors who provide answers to their questions. If you ask the same question to several people you will most likely get several different answers, and then it is up to you to select the answer that is best for you. So the question is…What are you listening to as you work?

Ruth Marsh: “Lately I’ve been listening to Head Hunters – Herbie Hancock, and Brian Eno & David Byrne My Life in the Bush of Ghosts. And also the CBC, as always! Q and Ideas! Oh, and of course As it Happens. Sometimes it’s necessary to have silence. I find if I don’t have any outside distraction I can handle silence; the radio and music are great for focussing attention away from multiple sources onto one thing.”RM

Phillip J. Mellen:  “I have recently made a music mix, titled: Songs for Rockwell Kent. Maybe it’s the romance in it all? Some of these songs span over a decade. While listening, I am reminded of the prettier side of the painting struggle. Some of these songs are timeless. I am doing something timeless, no? Painting.

I often change the lyrics in my head. Sometimes I sing along. Some of this music makes me show my teeth as I sing. No so much anymore. These new/old songs are prettier. More smiles and more, well, more prettiness. It’s a poetic experience listening to this music. It enhances my experience while painting. It makes it’s way in. My mind and my paintings. The surrounding environment is important to me as I paint. The mind is important and is just as much an environment. The studio is a mess, but not inside myself. It helps me clear things and preps me for painting.

I’m after the same things in my paintings. It pushes me, and also can slow me down. Making music is a creative process, too. It’s all about process. For me, music is a big part of it. I conduct my work. This may be a collaboration.

Some of the musical artists on the mix are: Joanna Newsom, Dirty Three, Anni Rossi (early), MW Ensemble, Zoe Keating, Rachel’s, and Mountain Man.  Thank you!” PJM

The previous question was, and the next question is…

If you have a question you’d like answered please let me know. If it is interesting maybe I’ll use it.

 

 

Long Series #1482 with Phillip J. Mellen.

#1482 PJM

Here is another piece from an ongoing collaboration with Phillip J. Mellen. In this piece the text is provided by Phillip.

ahtcast interview.

Stephen B. MacInnis. PAIR exhibition at PROTO Gallery.

I recently had the pleasure of being interviewed by Phillip J. Mellen for his podcast blog ahtcast. Phillip and I have been Facebook friends for awhile now, and this is the first time we have every spoken over the phone. I enjoyed the process and I really enjoyed talking with Phillip. ahtcast has many other artist interviews and I hope you take time and give them a listen. They are very informative.

About ahtcast.

Hello Listeners,

 Welcome. My name is Phillip J. Mellen and I hail from the state of Massachusetts, USA. Hence the ‘Bostonian accent’ stand-in: “aht” for “art”. It’s ahtcast.

 Ahtcast is a word, a partially made up word. It is a podcast. It is a podcast that aims to discover the passions, through the investigation of process, of the artist and their work, studio practice and inspirations etc.

 The backbone of each interview is the set of questions that are asked in each interview. They are a vehicle for dialogue. They are designed to gain insights and are a catalyst for open conversation. These questions often yield some very personal stories behind why artists do what they do and how they do it.

 I hope you enjoy the content shared in these interviews. Thank you for listening and stay tuned for some insights into the thoughts and processes of artists working today.

Sincerely,
Phillip J. Mellen